Wood Engraved Claudio Silveira Silva Sign/No Art Raw Deseos Naked Female Erotic

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Seller: artheopolis ✉️ (2,257) 100%, Location: Vers pont du Gard, Languedoc-Roussillon, FR, Ships to: WORLDWIDE, Item: 266150154858 Wood Engraved Claudio Silveira Silva Sign/No Art Raw Deseos Naked Female Erotic.

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  HAS artist :  

   Claudio Silveira (1935-2007) Uruguayan visual artist, writer and sculptor

Son of a Brazilian father and a Uruguayan mother, he lived in the border region until he came to Montevideo to study at the National School of Fine Arts with the painting of master Vicente Martin and engraving with the master Adolfo pastor and With Johnny Friedlaender, it is essential in the technique of printing in Paris when he gets a scholarship from Paris School of Fine Arts . Since 1974 he has settled in Barcelona without losing contact with his country where he has exhibited several times: in the Latin Gallery, the Museum of Contemporary Art and the Cabido de Montevideo. He had become a wood sculptor and his works alluded to tales and legends. He used different wooden supports: hard, like pear or lapacho, or more ductile than orange or cedar, or old wooden objects like the back of a bed, a window, a spinning wheel. He taught drawing and led a plastic arts workshop in the city of Durazno in Uruguay

Technical

Superb original woodcut drawn in color
on vellum, full margins

Title / Subject:

"Deseos" 1987

Signed

bottom right + dated 1987

Numbered

2/50

board size: 64cm x 48cm

Ratings

++ good general condition ++
Important  Possibility of meeting in the region d'Uzes, Nimes Montpellier.. or Paris by appointment

  Biography in Spanish

   Claudio Silveira (1935-2007) plastic artist, writer and sculptor uruguayo (Rio Branco, Cerro Largo. 15 de enero de 1935 - Barcelona, ​​2007) Obra plástica Obra literaria References Hijo de padre brasileño y madre uruguaya, lived in the region frontieriza hasta que llegó a Montevideo a estudiar en la Escuela Nacional de Bellas Artes pintura al maestro Vicente Martín y grabado con el maestro Adolfo Pastor. 1 Con Johnny Frieddländer got involved in the technique of the stamp, in París, cuando obtuvo una beca para la Escuela Superior de Bellas Artes de París. Desde 1974 started in Barcelona without losing contact with the expanse in varias ocasiones: in Galería Latina, in Museo de Arte Contemporáneo and in Cabildo de Montevideo. Se había converted into escultor en madera y sus obras aludían a cuentos y leyendas. Utilizó diferentes soportes de maderas: duras, como el peral o el lapacho, o más dúctiles como el naranjo o el cedro, o viejos objetsos de madera como el respaldo de una cama, una ventana, una rueca de hilar. Dictó clases de dibujo y directed a Taller de artes plásticas en la ciudad de Durazno in Uruguay. 1 In the iglesia Nuestra Sra. del Luján y Santa Isabel de Cardona, Soriano, encuentra su escultura San Ramón Nonato hecha en madera con incrustaciones metalálicas. In iglesia San Pedro de Durazno a Cristo de madera tallada is encented. El gato: Cuento en grabado madera (junto a Mario Arregui. 1967) Yunta brava (junto a Julio C. da Rosa. Ediciones de la Banda Oriental. 1990) From Uruguai to Mataró (in collaboration with the Museo de Mataró. Municipal Patronage of Culture. 1999) Nuestro campo: en dos visiones (junto a Raúl Iturria. Ediciones Tierradentro. 2007)

                      

 
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    Lucien COUTAUD, P. COURTIN, J. COUY, H. CSECH, DADO, G. DARMON, Hermine DAVID, R.DAVIES, Albert DECARIS, F.DECK, DELATOUSCHE, P. DELLA SELVA, J.DELPECH, PA DESMACKER, E DESMAZIERES, R. DESNOYER, J. DEVILLE, G. DIAZ, Yves DOARE, DOMETTI, DONATELLA, B. DORNY, P. DUBREUIL, Yannick DUBUINEAU, A. DUNOYER DE SEGONZAC, ELI-LODEHO, JMESTEBE, Y. FAUCHEUR, FILIBERTI, FIORINI, FOUGERON, Jean FRELAUT, L. FRIDMAN, J. FRIEDLANDER, FIORINI, D. GALANIS, R. GALL, A. GAUDIN, PF GAUDU, L. GERBIER, R. GIGUERE, S. GILLIER, Ed. GOERG, Henri GOETZ, JM GRANIER, J. GRANYER, A. GROSS, JM GIRARD, GIRARD-MOND (10), GOLDKORN, Marcel GROMAIRE, Cl. GROSCHENE, A.GROSS, GUASTALLA, L. GUILAZ, GUIRAMAND, P. GUSMAN, S. HAAGE, J. HALLEZ, Yozo HAMAGUCHI, S. HARTMANN, HASEGAWA, G. HAUDOUIN, STANLEY William HAYTER, Ph. HELENON, W. HERZIG, HICKIN, Jacques Houplain François HOUTIN, Valentine HUGO, Ph. HUMBERT, IPOUSTEGUY, P. JACQUELIN, A. JACQUEMIN, Fiona JAMES, Y. JOBERT, Maxime JUAN, Th.KERCQ, A.de KERMOAL, B. KRIEF, A. KROL, M.KUNTZ, Jean - Emile LABOUREUR, H. LAFLY, R. LAFORCADE, YOUNG CONTEMPORARY ENGRAVING, LA MAUVINIERE, L. LANG, R. LANNOY, LARS BO, LEBEDEFF, G. LEHEUTRE, LELIEVRE, Stanislas LELIO, LÉOPOLD-LEVY, LEPERE, H. LESPINASSE, LEVROUX, J.LINARD, LOBEL-RICHE (1), Alain LOISELET, LOTIRON, LOUTTRE B., F. LUNVEN, André MARFAING, E.MARIN, MARSAULT, Ph. MARTIN, H. MARTIN-MARAGE, J.MARVILLE, André MASSON, JM MATHIEUX MARIE, H.MATHONNAT, Ph, de la MAUVINIERE, A. MAY, MAZURU, M. MELSONN, G.MERLATEAU, A.MINAUX, F.MOCKEL ,
    M. MOCQUOT, Philippe MOHLITZ, MONGROLLE, A.MONTANDIN, MONTAUDON, Henri MOORE, PL MOREAU, MOREH, MOYANO, Zoran MUSIC, NAKACHE, M. NELSON, François OBERFALCER, R.OUDOT, Mimi PARENT, L.PEER, Claude PERRAUD , J. PESCHARD, C. PETTIER, Orovida PISSARRO, PE PISSARRO, PIZA, R. PODINI, QUILLIVIC, RAMONDOT, Odilon REDON, JC REVERDY, M. RICHARD, JJ RIGAL, E.RIGHETTI, C. ROCHE, Marcel ROCHE, JC ROTH, Georges RUBEL, F. SALVAT, VERGE SARRAT, M. SAVIN, B. SEGUY , SENECA, SERENITY, Michel SEUPHOR, G.SEXER, SIGNOVERT, N. SIMON, R. SIMON, F. SINCLAIRMAHDAVI, LJSOULAS, STEMPEL, SUZONI, Y. THEIMER, JPTINGAUD, S. TOURTE, Gérard Trignac D.VELAY, VERGÉ-SARRAT, R. VEYSSET, VELICKOVIC, P.VENCE, R.VEYSSET, R. VIEILLARD, M. VILAGE, Javier VILATO, André VILLEBOEUF, Jacques VILLON, H. de WAROQUIER, M. WATANABE, H. WEBSTE R, Claude WEISBUCH

Obra plástica Obra literaria References Hijo de padre brasileño y madre uruguaya, lived in the region frontieriza hasta que llegó a Montevideo a estudiar en la Escuela Nacional de Bellas Artes pintura al maestro Vicente Martín y grabado con el maestro Adolfo Pastor. 1 Con Johnny Frieddländer got involved in the technique of the stamp, in París, cuando obtuvo una beca para la Escuela Superior de Bellas Artes de París. Desde 1974 started in Barcelona without losing contact with the expanse in varias ocasiones: in Galería Latina, in Museo de Arte Contemporáneo and in Cabildo de Montevideo. Se había converted into escultor en madera y sus obras aludían a cuentos y leyendas. Utilizó diferentes soportes de maderas: duras, como el peral o el lapacho, o más dúctiles como el naranjo o el cedro, o
  • Condition: Used
  • Style: 1940-1960
  • Originality: Original
  • Support: On paper
  • Features: Signed, Numbered
  • Theme: Fantastic, Naïve
  • Gender: Art naïve
  • Type: Engraving
  • Time Period: Twentieth and contemporary
  • Brand: Unbranded

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